Turning Red | |
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Directed by | Domee Shi |
Screenplay by |
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Story by |
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Produced by | Lindsey Collins |
Starring |
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Cinematography |
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Edited by |
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Music by | Ludwig Göransson |
Production companies | |
Distributed by | Walt Disney Studios Motion Pictures |
Release dates |
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Running time | 99 minutes[1] |
Country | United States |
Language | English |
Budget | $175 million[2] |
Box office | $8.6 million[3][4] |
Turning Red is a 2022 American computer-animated fantasy comedy film produced by Pixar Animation Studios and distributed by Walt Disney Studios Motion Pictures. The film was directed by Domee Shi, in her feature directorial debut, and written by Shi and Julia Cho. It stars the voices of Rosalie Chiang, Sandra Oh, Ava Morse, Hyein Park, Maitreyi Ramakrishnan, Orion Lee, Wai Ching Ho, Tristan Allerick Chen, and James Hong. It is Pixar's 25th feature film.
Set in Toronto, Ontario, in 2002, Turning Red follows Meilin "Mei" Lee, a 13-year-old Chinese-Canadian student who, due to a hereditary curse, transforms into a giant red panda when she expresses any strong emotion. Inspired by Shi's experiences growing up in Toronto, the film began development in 2018 after she pitched it to Pixar in October 2017. It is the first Pixar film solely directed by a woman and the second to feature an Asian lead character after Up (2009).
Special screenings of Turning Red took place in London at Everyman Borough Yards on February 21, 2022, and in Toronto at TIFF on March 8. The film had its world premiere on March 1, and was released on the Disney+ streaming service on March 11, along with simultaneous limited runs at the El Capitan Theatre, AMC Empire 25, and Grand Lake Theatre in the United States and Showcase Cinema de Lux in the United Kingdom. It was released theatrically in most countries without Disney+, and received critical acclaim, with praise for its story, humor, animation, vocal performances, and use of Chinese culture.
In 2002, Meilin "Mei" Lee is a 13-year-old Chinese-Canadian girl living in Toronto. She helps take care of the family's temple dedicated to their ancestor, Sun Yee, and works to make her strict, overprotective mother Ming proud. Mei hides her personal interests from Ming, such as the fact that she and her best friends Miriam, Priya, and Abby are fans of the boy band 4*Town.
Ming discovers Mei's crush on the local convenience store clerk and unintentionally embarrasses Mei in public, including in front of school bully Tyler, which leads Mei to have a vivid nightmare involving red pandas. The next morning, Mei has transformed into a large red panda. She hides from her parents and discovers that she only transforms when she is in a state of high emotion. Ming initially believes Mei is experiencing her first period, but finds out the truth when she further embarrasses Mei at school, causing Mei to transform and run home.
Ming and Jin, Mei's father, explain that Sun Yee was granted this transformation to protect her daughters, and every female family member since then has also transformed when they came of age. This has become inconvenient and dangerous, so the red panda spirit must be sealed in a talisman by a ritual on the night of the Red Moon; the next being in a month's time. Mei's friends discover her transformation but take a liking to it, and Mei finds that concentrating on them helps control the red panda within her.
Ming allows Mei to resume her normal life but refuses to let Mei attend 4*Town's upcoming concert. The girls secretly raise money for the tickets at school, exploiting the popularity of Mei's red panda form. Mei agrees to attend Tyler's birthday party as the red panda to cover the last ticket. At the party, Mei discovers that the concert will be held on her ritual night. She becomes angry and attacks Tyler when he insults her family, scaring the other children. Ming discovers Mei's activities and accuses her friends of corrupting and taking advantage of her. Mei fails to come to her friends' defense because she is ashamed and afraid to stand up to her mother.
Mei's grandmother, Wu, and her aunts come to assist in her ritual, to Ming's dismay. As Mei prepares herself, Jin finds videos she took of herself as the red panda with her friends and tells her she should not be ashamed of this side of her. During the ritual, as Mei's red panda form is about to be sealed, Mei decides to keep her powers. She abandons the ritual to attend the concert at the SkyDome with her friends, who forgive Mei for her actions at the party and discover Tyler is also a 4*Town fan. However, during her escape from the temple, Mei inadvertently damaged her mother's talisman; an enraged Ming transforms into a kaiju-sized red panda and disrupts the concert, intending to take back Mei by force. Mei and Ming argue about Mei's independence, and as they fight, Mei accidentally knocks her mother out.
The rest of the family arrive to help. The women break their talismans to use their red panda forms to help drag Ming into a new ritual circle. Mei's friends and 4*Town join in singing to complete the ritual, sending Mei, Ming, and the other women to the astral plane. Mei reconciles with Ming and helps her mend her bond with Wu, whom Ming accidentally scarred in anger at some point years ago before sealing her red panda form. The other women conceal their red pandas in new talismans, but Mei decides to keep hers, and Ming accepts that she is finding her own path.
Later, as the Lee family raises money to repair the damage caused at the SkyDome, Mei and Ming's relationship has improved, as Mei balances her temple duties—where her red panda is now an attraction—with spending time with friends, now including Tyler.
Additionally, Mei's aunts – Chen, Ping, Helen, and Lily – are voiced by Lori Tan Chinn, Lillian Lim, Sherry Cola, and Mia Tagano, respectively.
The members of the 4*Town boy band – Robaire, Jesse, Aaron Z., Aaron T., and Tae Young are voiced by Jordan Fisher, Finneas O'Connell, Josh Levi, Topher Ngo, and Grayson Villanueva, respectively. In the UK version, Anne-Marie voices Lauren, one of Mei's classmates.[7]
Shi had completed the Pixar short Bao in 2017 when Pixar invited her to pitch three ideas for a full-length film. Her concepts were all based on coming-of-age centered on teenage girls, with the one that became Turning Red based around a girl going through a "magical puberty," which Shi has written based on her own personal experiences. Shi said "Everyone has been there. Everyone has been 13 and feeling like they're turning into some wild, hairy, hormonal beast, and I think that's why Pixar was drawn to it."[8] Shi pitched these concepts, including Turning Red, to Pixar on October 31, 2017.[9] According to Pixar producer Lindsey Collins who sat in on Shi's pitch meeting, the Pixar staff were drawn to the Turning Red idea as "it was so clear that Domee had such a sense of who these two main characters were, that Mei and Ming were really clear and special and unique, more than any of the other ideas" and that "she had this really personal experience with these two characters that were kind of versions of her own life. That's like the magic equation, right there."[8] The approach of using more personable stories followed from Luca under Pixar's new chief creative officer Pete Docter's oversight, which shifted the direction the studio took with both storytelling and film production.[10]
The film was developed under the working title of Red.[11] Shi was announced as writer and director of a upcoming Pixar full-length film on May 8, 2018, making her the first woman to solely direct a film in the studio.[12][a] The film's creative leads were also the first all-female team for Pixar, which Pixar's CEO Jim Morris said "happened very organically" rather than by intent.[13] By November 26, 2018, Shi confirmed that the film was in early stages of development, with the story still being worked on, and that "[she is] really excited to play in this new 90-minute film format".[14] The title Turning Red was finalized by December 10, 2020.[15][16] According to Morris, Turning Red had one of the fastest development times at Pixar, taking four years to complete.[13]
In 2017, Pixar hired Chiang to provide scratch vocals to support the development of the film.[17] Chiang, then only 12 years old, was selected in part because she was a local child actor conveniently based in nearby Fremont, which is only about 35 miles (56 km) from Pixar's Emeryville headquarters.[17] After two years of development, Shi and Collins reached the point where the film was "solid" enough to start casting professional voice actors.[17] Despite listening to various auditions, the two realized they had already fallen in love with Chiang's scratch vocals and could not envision anyone else playing Mei.[17] They escalated the issue to Pixar chief creative officer Pete Docter, who personally approved casting Chiang in the film's lead role.[17]
During an early 2020 recording session, Shi suddenly surprised Chiang with an additional script page, in which Shi, reading in character as Ming, offered Chiang the role.[17] This session, right before the onset of the COVID-19 pandemic in the United States, turned out to be their last one conducted in person.[18] To keep production going, Pixar shipped an enormous amount of professional audio equipment to Chiang, who turned one of the rooms in her parents' house into a makeshift recording studio.[18] Sandra Oh was Shi's top pick for Ming, as besides being both an Asian Canadian, Shi believed Oh could cover the range of complex emotions they wanted to portray in Ming.[19]
The film takes place in Toronto, Ontario, Canada, during the early 2000s, specifically through 2002 to 2003, as indicated through scenes in the teaser trailer and on Mei's student ID in the teaser poster, as well as confirmation by a production designer in February 2021.[20] As the film takes place through the eyes of a 13-year-old girl, the entire environment has been stylized to convey a specific feeling. According to executive producer Dan Scanlon, "It feels more like a very soft, colorful, magical, idyllic, almost youthful version of the city".[5] This included capturing the popularity of boy bands at the turn of the millennium and how teenage girls reacted to them.[21] Pixar animators visited various locations around Northern California for inspiration and visual references.[18] They studied red pandas at the San Francisco Zoo, and looked at architecture in Chinatown in San Francisco and the Bok Kai Temple in Marysville.[18]
Shi described the film's overall look as an "Asian tween fever dream".[2] Several anime influenced the looks of the film, including Sailor Moon, Ranma ½, Fruits Basket, and Inuyasha.[22] To capture these anime influences, hand-drawn 2D animated effects were added atop Pixar's 3D animation.[23]
Shi was also inspired by My Neighbor Totoro, in creating an "iconic grabbable giant animal that you just want to rub your face in".[24] Shi also compared the plot of the film to Disney's A Goofy Movie, a similar coming-of-age movie involving a parent and child trying to mend their relationship, with a pop band as part of the film's climax.[24] The film also deals with puberty, though the film does not directly talk of biological changes. For example, Mei's mother mistakes Mei's reaction to her transformation for her first menstruation. Shi said they were "unapologetic" about the discussion of these topics in the film; the title Turning Red is an allegory for menstruation.[25] The color red also reflects other feelings experienced by teenagers, according to Shi, such as embarrassment or lust.[2] Shi and her staff had feared that studio executives would want the scenes referencing puberty removed, but the scenes were accepted.[25] Rona Liu served as production designer, after doing so for Bao. Liu said that working on a feature film was "a dream come true".[26]
Turning Red | ||||
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Film score by | ||||
Released | March 11, 2022 | |||
Recorded | 2021 | |||
Genre | Film score | |||
Length | 76:55 | |||
Label | Walt Disney | |||
Pixar soundtrack chronology | ||||
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Ludwig Göransson chronology | ||||
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Ludwig Göransson composed the film's score, making it his first animated film composition.[27] Billie Eilish and Finneas O'Connell wrote three original songs performed in the film by the fictional boy band 4*Town. According to Collins, "U Know What's Up" was intended to be a confidence booster, "1 True Love" was intended as the group's love ballad, and "Nobody Like U" was the song that everyone knows from the group.[28] Collins said she had decided to approach Eilish and O'Connell at the start of the production, near the same time that Eilish was coming to fame herself; Collins said that her own child had become a fan of Eilish's music which has inspired this choice. To pitch the idea to the pair, production created a scrapbook based on scenes of Mei and her fascination with 4*Town they had already developed for the film, at times putting cutouts of Eilish' and O'Connell's heads in place of the 4*Town members to show their appreciation for the pair.[28] Both were already animation fans,[28] and Eilish said that when they saw the concept from the material they got, she immediately got the idea they were aiming for, as she had been a fan of boy bands herself and recognized the bond Mei had with 4*Town.[29]
The film includes a Cantonese chant used as part of the ritual to contain the red panda spirit that was created with help of Herman Wong, operations director for Disney Character Voices International. This chant then also had to be integrated with Ellish's and O'Connell's "Nobody Like U" as part of the film's climax, which was done by Göransson to make sure the two rhythms matched in beat and key.[30]
Walt Disney Records released the soundtrack album digitally and on CD on March 11, 2022. Subsequently, tracks from 4*Town appeared in multiple languages, some of which were performed by boy bands such as Da-iCE for Japanese[31] and W0LF(S) for Mandarin.[32] "Cha Cha Slide" (2000) by DJ Casper and "Bootylicious" (2001) by Destiny's Child are also heard in the film but not included on the album. "Nobody Like U" debuted on the Billboard Bubbling Under Hot 100 chart at number six for the week of March 26, 2022, while the soundtrack album itself debuted at number 187 on the albums chart the same week.[33]
All tracks are written by Ludwig Göransson, except where indicated.[34]
No. | Title | Writer(s) | Performer | Length |
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1. | "Nobody Like U" | Billie Eilish and Finneas O'Connell | 4*Town | 2:40 |
2. | "1 True Love" | Eilish and O'Connell | 4*Town | 3:19 |
3. | "U Know What's Up" | Eilish and O'Connell | 4*Town | 3:08 |
4. | "Family" | 0:40 | ||
5. | "Turning Red" | 2:10 | ||
6. | "Meilin Lee" | 0:58 | ||
7. | "Temple Duties" | 1:13 | ||
8. | "Jin's Family Dinner" | 0:56 | ||
9. | "Drawing Love" | 2:15 | ||
10. | "Never Again Dream" | 1:34 | ||
11. | "Turning Panda" | 2:16 | ||
12. | "Panda-monium" | 2:34 | ||
13. | "Ancestors" | 4:39 | ||
14. | "Inconvenient Genetics" | 3:35 | ||
15. | "U Know What's Up" (The Panda Hustle Version) | Eilish and O'Connell | 4*Town | 2:49 |
16. | "Tyler's Deal" | 2:19 | ||
17. | "The Aunties" | 0:37 | ||
18. | "Grandma's Warning" | 1:31 | ||
19. | "Keeping the Panda" | 5:14 | ||
20. | "Dad Talk" | 2:28 | ||
21. | "Red Moon Ritual" | 3:19 | ||
22. | "I'm Keeping It" | 1:42 | ||
23. | "Making It Right" | 1:59 | ||
24. | "Unleashing the Panda" | 2:06 | ||
25. | "Stadium Ritual" | 2:00 | ||
26. | "Pandas Unite / Nobody Like You (reprise)" | Göransson, Eilish and O'Connell | Göransson and 4*Town | 3:05 |
27. | "The Real Ming" | 1:59 | ||
28. | "No Going Back" | 3:13 | ||
29. | "Let Your Inner Panda Out" | 1:30 | ||
30. | "Nobody Like U" (Instrumental) | Eilish and O'Connell | O'Connell | 2:40 |
31. | "1 True Love" (Instrumental) | Eilish and O'Connell | O'Connell | 3:19 |
32. | "U Know What's Up" (Instrumental) | Eilish and O'Connell | O'Connell | 3:08 |
Total length: | 76:55 |
Chart (2022) | Peak position |
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US Billboard 200[33] | 187 |
A first look of the film was shown at the Disney Investor Day on December 10, 2020.[35] The teaser trailer premiered on July 13, 2021, as the official trailer premiered on November 17, 2021.[36][37] In the lead up to the film's release, Disney partnered with Mozilla to promote the film via the Firefox web browser, as red pandas are also known as "firefoxes." Users on mobile and desktop are able to apply custom backgrounds and themes within the browser, respectively. According to Mozilla's chief marketing office Lindsey Shepard, the collaboration gives Mozilla the opportunity "to bring [the] Mozilla ethos to the new generation."[38] One of the red pandas at the San Francisco Zoo was renamed Meilin on the day of the film's release.[39] Air Canada decorated an Airbus A220 with images of Mei and her "red panda form" to fly over Canada promoting the film, and also had a contest for the public to attend the premiere in Toronto and win special prizes.[40] A large statue of Mei as a red panda was placed in Toronto next to the CN Tower, Ripley's Aquarium, Roundhouse Park, Scotiabank Arena and the Rogers Centre (formerly known as the Skydome and Air Canada Centre) where passerby could have their photos taken with the statue.[41]
iSpot.tv reported that Disney had spent $23 million on television spots for Turning Red, which was more than what the studio spent on Black Widow, Jungle Cruise ($19.5 million), and Cruella ($12.6 million), and what Netflix spent on its most-watched film, Red Notice ($3.3 million). Since February 21, 2022, the trailer for the film had been the 16th-most-seen TV spot of all time.[42]
Turning Red was given special screenings that took place in London at Everyman Borough Yards on February 21, 2022, and in Toronto at TIFF on March 8, 2022.[43][44] The film had its world premiere at El Capitan Theatre on March 1, 2022.[45] It was originally scheduled to be theatrically released in the United States on March 11, 2022, by Walt Disney Studios Motion Pictures.[46][47][48] On June 17, 2021, a Pixar insider reaffirmed the film would have a theatrical release after both Soul (2020) and Luca (2021) were assigned direct-to-streaming releases on Disney+ in response to the COVID-19 pandemic.[49] However, as the Omicron variant cases rose, on January 7, 2022, the decision was made to shift the film from its planned theatrical release to its direct-to-streaming release on Disney+ as a Disney+ original. In international markets where Disney+ is not available, it was released theatrically.[50] In February 2022, it was announced that the film would play a one-week theatrical engagement at Hollywood's El Capitan Theatre from March 11–17, 2022.[51] The film also began playing at Manhattan's AMC Empire 25 and Oakland's Grand Lake Theatre the same day it was released to Disney+,[52][53] as well as several Showcase Cinema de Lux venues across the United Kingdom.[54] Disney canceled the Russian release in response to the 2022 Russian invasion of Ukraine on February 28, 2022.[55] In addition to the film, a 50-minute documentary about the making of the film, especially focusing on its all-female creative team, entitled Embrace the Panda: Making Turning Red, was released on Disney+ the same day.[56][57]
Disney licensed several books based on the film, which were released both before and after the US premiere. This includes: novelizations, short stories, sticker album, behind the scenes, coloring books and more.[58]
As of March 22, 2022, Turning Red has earned $8.6 million outside the U.S and Canada.[3][4] The film earned $3.8 million from 12 international markets in the opening weekend, with second-place openings in Saudi Arabia ($920,000), Poland ($430,000) and the United Arab Emirates ($420,000).[59] It earned $2.8 million in its second weekend.[60]
Turning Red had the best three-day opening, in terms of viewers, for an original title on Disney+.[61]
Besides Chinese Canadian representation, the film has also been applauded for its Korean, South Asian, and first representation of characters with diabetes.[62] While the main character's transformation is not entirely a metaphor for menstruation specifically, the film's representation of menstruation in a non-dramatized light has also been acknowledged.[63]
On the review aggregator website Rotten Tomatoes, 95% of 242 critics' reviews are positive, with an average rating of 8.00/10. The website's consensus reads, "Heartwarming, humorous, beautifully animated, and culturally expansive, Turning Red extends Pixar's long list of family-friendly triumphs."[64] Metacritic, which uses a weighted average, assigned the film a score of 83 out of 100 based on 51 critics, indicating "universal acclaim".[65] Early screenings reviews of the film praised its story, voice cast, and Shi's direction.[66]
The Washington Post's Michael O'Sullivan gave 4 stars out of 4 and concludes: "[The film] delivers a bigger, and in some ways more universal message: It’s okay to not always be in control, to let your freak flag fly. To paraphrase Sigmund Freud, sometimes a red panda is just a red panda. And sometimes it’s a metaphor for that inner spark of creativity, the flame of originality that is to be cherished, not extinguished. With 'Turning Red,' Shi demonstrates that she's got it, in spades."[67] The Guardian's Benjamin Lee gave 3 stars out of 5 and concludes: "The journey is slick and diverting, and at times incisive, but Turning Red is yet another Pixar film that coasts rather than glides. Hopefully its next offering can turn into something more."[68] IGN's Siddhant Adlakha gave a rating of 9 out of 10 and concludes: "A story of magical transformation as a metaphor for personal and cultural change, Turning Red (from Bao director Domee Shi) is Pixar's funniest and most imaginative film in years. It captures the wild energy of adolescence, uses pop stars as a timeless window into puberty, and tells a tale of friendship and family in the most delightfully kid-friendly way."[69]
There was some criticism of the film that initially arose from a review from CinemaBlend's Sean O'Connell, in which he called the focus on a Chinese Canadian girl as "limiting" to a broad audience: "By rooting Turning Red very specifically in the Asian community of Toronto, the film legitimately feels like it was made for Domee Shi's friends and immediate family members. Which is fine — but also, a tad limiting in its scope."[70] The review received backlash by members of the press on social media, calling it "sexist" and "racist"; crew and cast members of the movie eventually spoke up on the case. Lead voice actor Rosalie Chiang said the film was meant to appeal to all: "This is a coming of age film, everyone goes through this change … I think different people of different cultures are going to go through it differently, but at the end of the day, the core messiness and change is something everyone can relate to." As a result of the pushback, CinemaBlend's editor-in-chief Mack Rawden pulled O'Connell's review and apologized publicly for it and that the site had "failed to properly edit" the review before posting; O'Connell also posted his own apology for the review.[71]
The attention drawn by O'Connell's review led to parents and other audience critics to raise further issues with the film due to the character specificity, bringing up concerns that film, aimed at a family audience, brings up the issues of menstruation, teenage crushes and sexuality, and disobedience towards one's parents, which these people felt were topics best left for parents to discuss with their children on their own.[63][72] Movie critics for The New York Times, The Daily Beast, and Vox responded that such criticisms are misplaced, since these are natural topics that reflect the realities of 13-year-old girls, should not be considered taboo, and praised the movie for its honest portrayal of these behaviors.[63][72][73]
Domee Shi has expressed interest in a follow-up, stating: "We are open, but we haven't talked about it. But yeah, it's an invitation at the end for more stories." Chiang and Oh also expressed interest and came up with ideas for a sequel or a prequel.[74][75]
The original running time is 99 minutes; on Disney+ it is accompanied by 8 minutes of international dubbing credits.
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